For an example of a finished song with amp sim blues harmonica in context, check out I’ll Take You Higher on YouTube. You can download the Blues Harp.multipreset and use it as it, but I encourage playing around with it-try different types of distortion and amps, mess with the EQ a bit, and so on. For the cabinet, this FX Chain uses the Ampire solely for its 4 x 10 American cabinet-no amp or stomps.Īfter the distortion/cabinet combo, a little midrange “honk” makes the harmonica stand out more in the mix.įor a final touch, blues harp often plays through an amp with reverb-so a good spring reverb effect adds a vintage vibe. Now it’s time for the Redlight Dist to provide the distortion. (When using an amp sim, blues harmonica is also a good candidate for multiband processing, as described in the February 1 Friday Tip.) Next up: A Pro EQ to take out all the lows and highs, which tightens up the sound and reduces intermodulation distortion. The chain starts with a Limiter to provide a more sustained, consistent sound. Sure, you can learn to play a couple of very simple tunes poorly in a short time-kind of like playing 'Chop Sticks' on the piano. It simply can't be done, despite the titles of some books out there. The second 12 bars use the FX Chain described in this week’s tip, and which you can download for your own use. Introduction This reference will not teach you how to play the harmonica in 10 minutes, 2 hours, or even a week and a half. The first 12 bars are unprocessed harmonica (other than limiting). I don’t really find the Ampire amps suitable for this application, but we can put together an FX Chain that does the job.Ĭheck out the demo to hear the desired goal. However, the secret to that big sound is playing through the distortion provided by an amp, or in our software-based world, an amp sim. It covers why you don’t play blues harp in its default key (e.g., you typically use a harmonica in the key of A for songs in E), how to mic a harmonica, and more. To find out more about the techniques of blues harmonica, check out the article Rediscovering Blues Harmonica. can also attach the reference track if you know what harmonica should sound. They all manage to transform the harmonica’s reedy timbre into something that seems more like a member of the horn family. One of the top harmonica gigs on, proved great quality work by. If you’ve heard blues harmonica greats like Junior Wells, James Cotton, Jimmy Reed, and Paul Butterfield, you know there’s nothing quite like that big, brash sound.
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